2026/27 Season | Tickets | Subscriptions | Donate

2026/27 Season
Welcome to Capital Stage’s 22nd Season! Subscribe today and enjoy the benefits of savings, priority seating, exchange privileges, dedicated parking and discounted tickets to Special Events! We have many Subscription Plans to choose from! Learn more about the selection of shows below.
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Alex Edelman’s Just For Us
by Alex Edelman
September 23 – October 25, 2026
NY Times Critic’s Pick
2024 Special Tony Award Winner
An antisemitic tweet leads comedian Alex Edelman to an unexpected place: a meeting of white nationalists in Queens, face-to-face with the people behind the keyboards. Alex’s story explores religion, cultural identity, assimilation, empathy, gorillas that speak sign language—and what it means to be confronted with hatred. Learn More
“Superb! JUST FOR US has been chiseled to diamond-cut perfection. It’s a joyous, uproarious 90-minute show from one of the funniest minds of this generation – or any generation.” –THE WASHINGTON POST
My Mama and the Full-Scale Invasion
by Sasha Denisova
Translated by Misha Kachman | Adapted by Kellie Mecleary
November 18 – December 20, 2026
Sasha’s 82-year-old mother has lived in Kyiv her whole life. When Russia invades Ukraine in 2022, Sasha copes with her fears by imagining her mother in increasingly fantastical situations: strategizing with President Zelenskyy, striking Russian drones with jars of pickles, and even debating with God. Playwright Sasha Denisova was inspired by WhatsApp chats with her mother to write this darkly funny and deeply heartfelt new play. Learn More
“A study in the wonderful absurdity of a stubbornly resistant woman under fire.” –THE WASHINGTON POST
Things That Are Round
by Callie Kimball
January 20 – February 21, 2027
Tetherly, a dentist specializing in existential terror, and Nina, an opera singer who just might be the worst babysitter ever, square off in a strange ballet of truth or dare. But is this a game anyone can even win? Learn More
“If you like exciting, cutting edge theatre, this is a play you should not miss.” –MD THEATRE GUIDE
Andy Warhol In Iran
by Brent Askari
March 17 – April 18, 2027
Based On A True Story
In 1976 Andy Warhol, having re-invented himself as the portrait painter of the rich and famous, travels to Tehran commissioned to take polaroids of the Shah’s wife. Amidst taking in the Crown Jewels and ordering room service caviar, Warhol encounters a young revolutionary who throws his plans into turmoil and opens the pop icon’s eyes to a world beyond himself. A fictionalized portrait of the artist’s famed visit to Iran that leaves you asking, “Who was the artist and who was the revolutionary?” Learn More
“A masterful, creative blend of humor and reflection…ANDY WARHOL IN IRAN is a profound yet humorous exploration of art, business, politics, and connection.” –DC THEATRE ARTS
The Bed Trick
by Keiko Green
May 12 – June 13, 2027
In this fast-paced comedy, college freshmen Lulu and Marianne test their limits as they party through the school year, in search of their place in the world. Marianne, newly eighteen, just learned that her parents’ origin story may not have been quite as romantic as she thought. Meanwhile, Lulu tries to reignite a spark with her boyfriend, who she just found out has a secret online dating profile. When the two girls’ drama-nerd roommate, Harriet, brings in baggage from a student production of ALL’S WELL THAT ENDS WELL, the thematic ideas of consent and manipulation start to seep into their lives. Learn More
“Keiko Green’s writing is clever and quick while simultaneously thorough and deep. Her ability to bounce between laughter-evoking moments and gut-wrenching character revelations lends itself to the caliber of this show.” –BROADWAY WORLD
Monsters of the American Cinema
by Christian St. Croix
July 7 – August 8, 2027
After his husband’s death, Remy Washington, a Black man, inherits a drive-in movie theater and takes on the unexpected responsibility of raising his late husband’s straight, white teenage son, Pup. The two form a bond over their shared love of classic monster movies, but when Remy discovers Pup’s cruelty toward a gay classmate, their connection begins to fracture, and the real horrors start to emerge. Learn More
“A powerful, deeply human production… a stirring meditation on parenthood, identity, and the monsters—both real and imagined—that shape us.” –BROADWAY WORLD





